Mise-en-scène, knowledge and participation: Considerations of a filming anthropologist

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Mise-en-scène, knowledge and participation : Considerations of a filming anthropologist. / Møhl, Perle.

In: Visual Anthropology, Vol. 24, No. 3, 2011, p. 227-245.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Møhl, P 2011, 'Mise-en-scène, knowledge and participation: Considerations of a filming anthropologist', Visual Anthropology, vol. 24, no. 3, pp. 227-245. https://doi.org/10.1080/08949468.2010.508707

APA

Møhl, P. (2011). Mise-en-scène, knowledge and participation: Considerations of a filming anthropologist. Visual Anthropology, 24(3), 227-245. https://doi.org/10.1080/08949468.2010.508707

Vancouver

Møhl P. Mise-en-scène, knowledge and participation: Considerations of a filming anthropologist. Visual Anthropology. 2011;24(3):227-245. https://doi.org/10.1080/08949468.2010.508707

Author

Møhl, Perle. / Mise-en-scène, knowledge and participation : Considerations of a filming anthropologist. In: Visual Anthropology. 2011 ; Vol. 24, No. 3. pp. 227-245.

Bibtex

@article{b7781e42004343bda19b1df9837e69f1,
title = "Mise-en-sc{\`e}ne, knowledge and participation: Considerations of a filming anthropologist",
abstract = "Drawing on two integrated research and film projects, the article investigates the implications for the anthropological project of approaching the field as a filming anthropologist. What does the camera “do” to the world and to the anthropological project? What shifts of form, what mises en sc{\`e}ne take place when the camera sets in? What domains do we move into? And what can we learn from the process about the lives, imagined worlds and aspirations of other people and about the intersubjective production of anthropological knowledge?",
keywords = "Faculty of Social Sciences, Visual anthropology, film in anthropology, epistemology, anthropological method, self-presentation, French Guiana, Amazonia, Rural France, Positioning, Engagement",
author = "Perle M{\o}hl",
year = "2011",
doi = "10.1080/08949468.2010.508707",
language = "English",
volume = "24",
pages = "227--245",
journal = "Visual Anthropology",
issn = "0894-9468",
publisher = "Taylor & Francis",
number = "3",

}

RIS

TY - JOUR

T1 - Mise-en-scène, knowledge and participation

T2 - Considerations of a filming anthropologist

AU - Møhl, Perle

PY - 2011

Y1 - 2011

N2 - Drawing on two integrated research and film projects, the article investigates the implications for the anthropological project of approaching the field as a filming anthropologist. What does the camera “do” to the world and to the anthropological project? What shifts of form, what mises en scène take place when the camera sets in? What domains do we move into? And what can we learn from the process about the lives, imagined worlds and aspirations of other people and about the intersubjective production of anthropological knowledge?

AB - Drawing on two integrated research and film projects, the article investigates the implications for the anthropological project of approaching the field as a filming anthropologist. What does the camera “do” to the world and to the anthropological project? What shifts of form, what mises en scène take place when the camera sets in? What domains do we move into? And what can we learn from the process about the lives, imagined worlds and aspirations of other people and about the intersubjective production of anthropological knowledge?

KW - Faculty of Social Sciences

KW - Visual anthropology

KW - film in anthropology

KW - epistemology

KW - anthropological method

KW - self-presentation

KW - French Guiana

KW - Amazonia

KW - Rural France

KW - Positioning

KW - Engagement

U2 - 10.1080/08949468.2010.508707

DO - 10.1080/08949468.2010.508707

M3 - Journal article

VL - 24

SP - 227

EP - 245

JO - Visual Anthropology

JF - Visual Anthropology

SN - 0894-9468

IS - 3

ER -

ID: 51183359